- Best Mac Pro Options For Adobe Premiere 2017
- Adobe Premiere For Mac
- Premiere Pro For Mac
- Adobe Premiere Pro For Mac
Adobe Premiere Pro is a widely used software applications for video editing on mac OS or Windows computers. Premiere Pro is used for editing videos, commercials and other film, television, and online video. Adobe Premiere Pro CC 2017 Make an incredible look everywhere. With the editing software for video editing software, you can convert any type of media to its original design and create professional production and brilliant colors for movies, TVs and internet.
Media Composer 8 can be either leased, like with Premiere Pro CC17, or it can be bought like Final Cut Pro X. Avid is $75 versus $30 for Adobe on the month to month payment option, though you can get an annual contract for either and save some money. Best for portability. The best video-editing Mac for portability is the MacBook Pro. Announced in 2016 and updated in June 2017, the Pro offers powerful processor chipsets and a rather lovely.
Learn what's new in the latest release of Premiere Pro.
Note:
Premiere Pro 13.1.4 includes all of the improvements from 13.1.3 with an additional bug fix that addresses a launch issue for some Windows systems with outdated drivers.
The 13.1.3 update for Premiere Pro includes the following enhancements:
Best Mac Pro Options For Adobe Premiere 2017
- Better HEVC performance on Mac
- Multichannel audio mixing improvements allowing for up/down mixing of 5.1 <-> stereo using the Channel Mixer effect. For more information, see Audio effects and transitions.
- More flexibility for caption file exports
- Graphics layers are now in the same order in the Essential Graphics panel and the Effects Control panel
- Warp stabilizer improvements that make it easy to clean up handheld footage from different cameras or fine-tune camera shake to match your creative intent. Comprehensive refinements make the Warp Stabilizer workflow more powerful and much faster.
This release of Premiere Pro removes support for importing MKV formats.
Premiere Pro 13.1.3 also fixes a critical issue with AAF exports from Premiere Pro where some source media associated with XMP may be deleted after rendering. This issue only occurs in versions 13.1, 13.1.1 and 13.1.2 of Premiere Pro. For information on known issues and other bugs fixed in this release, see:
Top new features
April 2019 release (version 13.1)
Use the new Freeform view in the Project panel to organize and review your media and storyboard ideas for your projects.
Lay out text, graphics, and video clips with precision. Save and share guide setups for greater consistency in your designs using the new Rulers and Guides in the Program Monitor.
Incorporate ambient sounds in your audio mix and automatically adjust background volume around spoken dialog or voiceovers.
Speed up color grading and effects workflows with improved Mask Tracking in Premiere Pro including HD, 4K, and higher resolution formats.
The Essential Graphics panel in Premiere Pro has a number of text and graphics enhancements to make your titling and graphic workflows smoother.
A new dedicated View menu in Premiere Pro consolidates Program Monitor commands, such as magnification and playback performance, as well as options to add for working with guides.
Copy and paste audio effects within a track or between tracks using simple keyboard shortcuts.
![Options for adobe flash player Options for adobe flash player](/uploads/1/2/6/6/126616538/966017139.jpg)
HEVC playback on Windows is smoother with new 10-bit hardware decoding. This release also includes hardware decoding improvements for H.264 and HEVC on macOS. RED footage plays better with new RED Metal acceleration.
Premiere Pro replaces problem frames with a copy of the adjacent frame, smoothing out the issue so you can edit your content without distracting red frames.
New export options for captions give you more controls for exporting to third-party applications for an easier caption workflow.
Premiere Pro automatically maps shortcuts to non-English keyboards so that the same key and modifier combinations work with different keyboard layouts.
The new System Compatibility Report identifies known issues, such as out-of-date video card drivers when you launch Premiere Pro. Access System Compatibility Reports anytime from the Help menu.
Choose absolute or proportional scaling in Sequence setting to ensure content is framed correctly when changing your sequence format.
Import native Sony Venice V3 files for expanded cinema camera support.
Find information about other enhancements in this release such as the ability to consolidate duplicate folders, the ability to render and replace video effects in a sequence, and more.
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The newest update to the Adobe Creative Cloud is rich with changes and covers many programs, but we’re going to keep it relevant to our focus and talk about all of the changes to CC’s video applications. Don’t worry though, even though we are going to talk only about Premiere Pro and After Effects, there is still plenty to talk about.
Here at Videomaker, when there is a new update, we convert right away. If there are growing pains from the change, we’ll feel them for you so you can bypass the discomfort. Prior to working for Videomaker I, much like many of you, feared updates. Until I had a good argument for why the update was necessary, I just didn't do it. Why submit yourself to having to relearn how to use your tool when how it currently works suits your work just fine? I support that thought, but thankfully Adobe has made their updates far less shocking to the user than they were back in the Creative Suite days.
Okay okay, I’ll get off my soapbox. Let's talk about what to expect with the newest update and why you may or may not want to install it. And if you’re thinking of changing from another platform, we’re going to explain it how it works so you can choose for yourself.
Premiere Pro CC 17
With Premiere, there are subtle but strong new updates like new VR support that will Auto-detect if VR media is monoscopic, stereoscopic and others. You are able to add a metadata flag that tells video players, like on YouTube or Facebook to recognize the media as 360 content. Plus, you’ll see refined Lumetri color tools like new color pickers and support for HDR10 metadata workflows.
Another helpful update is the visual keyboard shortcut mapping. This gives you new ways to customize the keyboard. And now with new live text templates, you can directly edit the text within a graphic, taking away the need to work directly inside After Effects. Plus, they can be used without requiring an After Effects license. Just Install a trial version or in render-only/non-royalty-bearing mode, and they will work.
And now with new live text templates, you can directly edit the text within a graphic, taking away the need to work directly inside After Effects.
![best best](https://blogsimages.adobe.com/creativecloud/files/2015/12/15-smmdi-adobe-premiere.png)
There is only one major flaw that we experienced during this review, and it was resolved during the review process. We experienced that when copying text from within the tilter using the keyboard shortcut command-C, the program would error and crash. We found that as long as we didn't do that specific command, we were ok. We were pleased that it was corrected before we completed this review.
After Effects CC17
After Effects has some new updates that have some real usefulness but don't change the feel of the program. There is now a collaborative post-production workflow for team projects in with real-time updating, version control and conflict resolution. However, it’s only for Creative Cloud teams and enterprise customers.
After Effects can also now extrude text and shape layers from inside After Effects using Cinema 4D technology. New updates also mean you can use Character Animator scenes from After Effects via Dynamic Link, and lastly, there is now support for native export of Avid DNxHD/HR codec QuickTime files. Overall, being able to use live text templates and Character Animator via Dynamic Link are our favorite updates.
Marketplace
There are many video editing programs out there that compete with all or part of the Creative Cloud. Here, we’re going to talk a bit about Apple’s Final Cut Pro X and Avid Media Composer 8.
If you’re a Mac user and want to have a robust editor that is affordable, there is nothing that competes with Final Cut Pro X at its price point. To buy Final Cut Pro X and get free updates costs only $300. That equates to 10 months of Premiere Pro at its cheapest price.
Avid Media Composer 8 is a great option and has been around for a long time. Avid is known for a speedy workflow, but can sometimes suffer from being too rigid. Media Composer 8 can be either leased, like with Premiere Pro CC17, or it can be bought like Final Cut Pro X. Avid is $75 versus $30 for Adobe on the month to month payment option, though you can get an annual contract for either and save some money. Lastly, if you want to buy Media Composer outright, it’s $1,300. There is no buy option for Premiere Pro CC17, but for that money you can lease Premiere Pro for a little over 43 months or about three and a half years.
Final Thoughts and Recommendation
Adobe now offers updates throughout the year rather than all at once, giving editors an easier time adapting to the changes. Although you can’t buy it outright, the monthly costs are minimal compared to the money you can make with their tools. Adobe Creative Cloud 17 updates are worth the upgrade, and we’d recommend doing the update or jumping in for the first time.
Adobe
www.adobe.com
www.adobe.com
PRICE:
All Apps: $50 per month
All Apps + Adobe Stock: $80 per month
All Apps: $50 per month
All Apps + Adobe Stock: $80 per month
STRENGTHS:
- Ongoing updates
WEAKNESSES:
- No perpetual licences
SUMMARY:
This update to Adobe Creative Cloud is rich with improvements, yet it doesn't change the feeling of each program. The monthly cost of CC 17 is warranted due to the scope of what is offered. Its ready to go and is still forward facing into the future.
RECOMMENDED USERS:
- Everyone
Tech Specs:
Minimum Requirements:
Windows
- Intel Pentium 4 or AMD Athlon 64 processor
- Microsoft Windows 7 with Service Pack 1, Windows 8, Windows 8.1, or Windows 10
- 2 GB of RAM (8 GB recommended)
- 2.6 GB of available hard-disk space for installation; additional free space required during installation (cannot install on removable flash storage devices)
- 1024 x 768 display (1280 x 800 recommended) with 32-bit video card; supports HiDPI display
- Adobe® Flash® Player 10 software required to export SWF files
MacOS
- Multicore Intel processor
- macOS 10.10, 10.11, or 10.12
- 2 GB of RAM (8 GB recommended)
- 2.5 GB of available hard-disk space for installation; additional free space required during installation (cannot install on a volume that uses a case-sensitive file system or on removable flash storage devices)
- 1024 x 768 display (1280 x 800 recommended) with 32-bit video card; supports Retina display
- Optional: To use GPU Performance, your Mac should have a minimum of 1024 MB of VRAM (2 GB recommended), and your computer must support OpenGL version 4.0 or greater.
- Supported machines
iMac 4K
iMac 5K
MacBook Pro Retina
Mac Pro connected to a HiDPI monitor
Mac mini connected to a HiDPI monitor
iMac 5K
MacBook Pro Retina
Mac Pro connected to a HiDPI monitor
Mac mini connected to a HiDPI monitor
- Adobe® Flash® Player 10 software required to export SWF files.
Chris Monlux loves editing. He is also Videomaker’s Multimedia Editor.